“…I believe plotting and the spontaneity of real creating aren’t compatible…my basic belief about the making of the stories is that they pretty much make themselves. The job of the writer is to give them a place to grow…”
Stephen King, On Writing
This is from back in the day when it was OK to mock the “other” party without fear of causing a crazy breakdown in government or death threats. (Yes. It’s true. I’m calling forth the good ol’ days.) But considering this is what the jester did in his (her!) traditional role, it’s not all that crazy OR back in the day.
Michael Davis is a modern jester who makes fun of a high ranking senator, Ronald Reagan’s policy, and jokes about disarmament during the middle of the Cold War, all while still keeping on the good side of the caesar and not getting his head chopped off… It’s brilliant. Exactly what a jester is supposed to do, and he pulls it off perfectly. And all the while with egg (literally) on his face.
For more insights into the Twenties, I’ve started reading research books about flappers – which focus mainly on Zelda Fitzgerald, of course. As one of the reviews below points out, Zelda defined and encompassed the decade. Her escapades may have started in 1914 or 1915 in Alabama, but she came to New York in 1921 and made an impression on everyone she met, partied through Paris and the South of France, then crashed pretty much as soon as the market did.
I don’t know if I would have liked her very much, I can’t help but realize how important she was to both defining and being defined by the decade.
“To begin with, you must teach the unconscious to flow into the channel of writing. Psychologists will forgive us for speaking so airily about “teaching” the unconscious to do this or that. To all intents and purposes that is what happens; but less elegantly and more exactly we might say that the first step towards being a writer is to hitch your unconscious mind to your writing arm.”
Dorothea Brande, Becoming a Writer